It’s Christmas and – as per the law – I have been overindulging in mince pies and underindulging in everything else.
The production of Cuthbert has slowed the past few weeks; my free time has been taken up visiting family and acting as a guinea pig for my five year old niece’s, erm, enthusiastic beautician work.…
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Aside from wanting to invest some money into Cuthbert so I’d have the motivation to finish it, even though Netflix has five seasons of Once Upon a Time waiting for me, wondering where I am, my biggest reason for wanting the inimitable L.…
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It’s Sunday night and I’m just home from one of Joy Swift’s Original Murder Mystery Weekends – delightful, deathful, and a real mouthful.
With a stressful, finish-all-of-the-things! week at work followed by a stressful, solve-all-the-mysteries! weekend away from my laptop, Cuthbert didn’t get very much love this week, and I wasn’t sure what I was going to write about.…
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I knew, when I first began plotting out Cuthbert, that I wanted to have a strong combat system. It made sense for the story: in a game where you can royally peeve people off to the point where they won’t help you, it makes sense that they might try and hurt you.…
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When I’m working on something like the front-end design of the game – something that doesn’t require I sit hunched over my laptop with my head clutched in my hands, muttering, ‘Why? Why?’, or gently weeping – I like to put on some TV as background noise.…
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